A (very belated) Happy New Year

This new year is galloping ahead, and I have not sat down to record life in London once this year.

 Christmas has gone.

 

Santa and Rudolph are exhausted and looking forward to a three season nap.

But the Welcome Bears have refused to give up their Santa hats claiming the exceptional cold weather merits exceptional measures to stay warm.

London has mostly been dominated by its weather. The coldest winter in 35 years, I believe was the determination. Certainly the coldest in the 12 winters since we moved here — although to be precise, my 11 winters, since last winter I was in Hingham doing grandmother duty, and that was a cold snowy winter by London standards too. By New England standards the amount of snow and the temperature lows in London were not remarkable, but icy sidewalks made the outside world treacherous for nearly a week.

 

The snow began at night.

 And in the morning our street looked like this.

 And the back garden was a winter wonderland.

The snow has gone, but every day we are greeted with rainy, grey winter gloom.  Although the day lengthens a minute or two every day now, so sunset is already nearly at 5:00 in the afternoon. Groundhog Day is of course an ancient holiday marking the halfway point between the winter solstice and the spring equinox. The pagans celebrate Imbolc, a festival of lights to honour the Celtic goddess Brid, keeper of the home fires, apparently. Conveniently, the favourite Irish female saint St Brigid (died c. 525)— or sometimes St Bride — has a feast day, smack dab at the same time as Imbolc. We have a St Brigid's cross made of Kildare reeds — she was abbess of Kildare — that has protected us for 35 years. Sadly it fell apart last year as the reeds are a bit old and dried, but I was able to push it back together into a respectable cross, so I hope it will continue to keep us in good stead. Just as conveniently, the Holy Family presented themselves in the Temple in Jerusalem at the same time, giving Christians the festival of Candlemas to celebrate — more lights, candles, etc. to help wake up the earth.  Candlemas never made it to Catholic New York City, but St Blaise did. On the day after Candlemas, my Catholic family trooped to church after school to queue up to have the priest at St Gregory the Great bless our throats by crossing two candles (unlit!) under our chins and mumbling a Latin phrase. When I say my Catholic family, I mean everyone but my Lutheran father, but I just had the worrying thought that he died of cancer of the esophagus. Perhaps I should check if any Catholic churches still perform these proto-pagan rituals.

The New Year Resolutions are going pretty well. I spent the end of 2009 organising my yarn stash, finding forgotten treasures, winding skeins into balls with my new swift, joining many too many Ravelry groups, and setting out projects for the month. I did finish several of those projects.

 

Mittens for Lavinia.

The checked pattern makes them nice and warm because the strand running behind gives them double thickness. The yarn is the lovely Wensleydale Longwool from Yorkshire.

Mittens were the theme of the month here.

A Ravelry group for Fingerless Mitts offered this free pattern for Cupcake Mittlets. The yarn is a hand dyed one I bought in Devon last summer in a lovely colour mix whose subtlety does not photograph well. And the pattern looks pretty shapeless. You can just about see the thumb on the right. My friend Martha told me the fingerless mitts are so popular these days because the majority of the population who wander the streets texting and phoning are not impeded from the steady pursuit of communication. For us incommunicados, grabbing the transit pass was made easy too.

 

The Selbuvotter Mittens are much more impressive in a photograph. I bought the book years ago at Halcyon Yarns in Maine. Teri Shea, a University of Washington Museum Studies grad student interned at the Nordic Heritage Museum in Seattle, and as a research project studied the mitten collection associated with migrants from the Selbu district of Norway. She charted dozens of mitten designs and published the book. She runs a Ravelry group to promote the book and knitting the designs; that was a good enough prod for me to join. I used a rather fine shetland yarn that I saw in the window of a haberdashery in Copenhagen and bought because it was bargain priced.

 
And finally, I finished this wonderful scarf from a truly wonderful book Knitting New Scarves by Lynne Barr. Last autumn, a quilting group member brought it to a meeting, and I immediately ordered it from Amazon. The number of projects I love in this book will keep me busy for years. This yarn bought years ago is from Wool in the Woods which I see from googling, no longer exists, except perhaps as part of Cherry Hill yarns.

The pattern is called Aria, and Lynne Barr says she was inspired by the seaweed Laminaria.
 

The frilly edge is done with short-row shaping slightly more visible in the photo below.

In the bleak midwinter

We haven't yet reached mid-winter by calendar, but bleak is certainly the word for this morning. The sun — if there was sun — would have risen less than five minutes ago at 8:06. The sky is very grey, the air itself looks grey. The time of sunrise will not reverse its course until later this week. On a positive note, sunset is now moving by the minute toward spring, and although the sun is not scheduled to appear any time today, it will set before 4:00 pm for the last time this season. So we remain in shortest day mode for this short week between Christmas and the New Year. England of course celebrates Christmas over two days, but with the 26th of December falling on a Saturday, yesterday was the public holiday, so Bob had a four day weekend — four and a half days if you count in the half day of Christmas Eve — to loaf.  And that's pretty much what Christmas is all about for us here. A very English Christmas is eating and watching lots of television. The two-part Cranford was somewhat depressing; and the first part of Dr. Who was a bit incomprehensible, but perhaps the conclusion will explain it all. David Tennant's Hamlet was also a gripper. We skipped the Walk on Boxing Day out of laziness, using the expectation of bad weather as the excuse, but of course that just confirms our un-Englishness. Later, when there were sad reports of an MP dying of a heart attack while on a Boxing Day Walk with his family, we felt vindicated in the wisdom of our laziness.

The UK — and the Continent — has had record cold and snow over the past few weeks. We did have a snowy day with a night in which cars and vans could not get up the snow packed and icy street outside our flat. London was mostly spared the deep snow and transport problems that made holiday travel a nightmare for so many people. Ironically, British Air and Eurostar voted to strike before Christmas making everyone angry until the strikes were called off — then the weather managed to shut both of them down anyway. My Luddite leanings always come out when I see the general public's anger if natural events — like snowstorms — inhibit free movement or access to services. The wonder of technology so quickly turns to entitlement and petulance. Reliance on technological fixes will be the end of civilisation eventually.

Now we must contend with another assault on the globalisation that allowed us to skip off to London without giving a thought to losing easy access to the States. Terrorism and oil prices have made the trips sometimes easier and sometimes harder, both less expensive and more expensive, over the past decade. We had been discussing whether to sacrifice some of Bob's limited vacation days (a limit he has abused a bit over the two-plus years since we became grandparents) to a trip or two that did not involve visiting our children and grandchildren in Massachusetts. We have not yet resolved the Istanbul-versus-Bibs-and-Bobs question, but now this new plane terror threat has been thrown into our faces. Knee-jerk reactions will abound: no potty trips (lets tell the children that one!); no blankies (personally, I have trouble imagining any man, even the most rabid Islamist, reading about third-degree burns in the "groin," and thinking "I could do that"!); and the indignities of the airport searches to come (a political cartoon yesterday has a line of naked passengers boarding a plane!) will make travelling to the States less than pleasant. Huge decreases in the number of passengers has cut the number of flights between Boston and London by half over the last few years. If computers are no longer allowed on board, will that cut the number of business trips? Will fewer passengers lead to even fewer flights with concomitant higher ticket costs? Oh brave new world of the Millennium, you have failed us all — actually we have failed you — but I want to whinge about a world that doesn't let me see my children and grandchildren easily and cheaply.

The children and grandchildren had a grand Christmas from the photos Megan sent through her blog. They had Christmas dinner with Barnz's father and his wife, so the grands (and the son-in-law) were able to celebrate a traditional English Christmas with a turkey and a flaming Christmas pudding. And in the way of children, I see from Megan's Facebook messages, they have all come down with winter ailments immediately following the festivities. Barnz, who is ace at whatever it is he does since he was assiduously courted and interviewed by everyone who knew of his availability after the Microsoft debacle, has a new job, starting this week perhaps, in Providence of all places. So as the world turns, we return to the Providence of our adult youth, and briefly of our children's youth, to continue this chronicle. Fortunately Hingham is on the right side of Boston to make a Providence commute (by train or by car) do-able. Interestingly, a few months ago, in our occasional conversations on where we would go if we returned to the States, Bob and I agreed that Providence would be pretty close to ideal for a life post-London. We did love both our stints in Providence and would never have left if Bob had been able to find a job back in 1983. That was such a painful move, we couldn't bear to return to Providence for the seven years we were in New Jersey, and consequently we lost contact with all our friends from those years. We felt courageous enough to visit Providence in 1991 on our way back from Boston after Bob had had a good job interview, and we believed, correctly, that we would be moving back to New England. We rarely went to Providence during the Hingham years though. I'm never comfortable because for me it is a land of exile.

I guess the idea of moving to Providence for a third time would be at root a way to capture what was lost in 1983, but nothing would match the pain of leaving London. Sometimes we joke about a future of sitting in rockers thinking about what we would be doing if only we lived in London. Yesterday was a very good London day. After a weekend of lethargy, we stirred ourselves into action because we had hot theatre tickets for the evening. After a slow start, in late afternoon we headed off to the Royal Academy to see Wild Thing, a sculpture show of Eric Gill,  Jacob Epstein, and Henri Gaudier-Brzeska, three young artists who came together in London in the early 20th century. Just the right size show, with a room devoted to each man. Gill's work is astoundingly beautiful, and remains astoundingly beautiful as you remember this maniacal Roman Catholic nutcase of a man sexually abused his daughters, his sister, and even his dog whilst producing exquisite religious art.  Then another excellent supper at Bentley's in Mayfair before heading off to the National Theatre to see the new Alan Bennett play The Habit of Art. The play is a play-within-a-play of an imagined meeting between W.H. Auden and Benjamin Britten in Oxford in 1973. Richard Griffiths plays the actor who plays Auden and Alex Jennings plays the actor who plays Britten. The play-within is possibly the worst play ever with parts written for Auden's mirror and for his easy chair, rhyming on their places in the poet's life.  Clever and satiric, the cast and crew are engaged in a shambolic rehearsal of the play-within, while moving deftly between their roles as actors and as characters played, to show us the work that goes into creating art. The strains that arise personally and professionally, the compulsion for an artist to continue to create — the habit of art — and with an emphasis on the shared experience of gay artists, closeted or not.

One of the great gifts of living in London has been the good fortune to learn that drama is an art form that can endlessly remake itself. Before I moved to London, I understood drama to be a static art form: written lines put together by an author and then spoken by actors on a stage, sometimes interesting, often not.  I know now that great drama is transcendent: an alternate world is created on the stage, and as a member of the audience, you share the physical space of that alternate world; through the magic of art, you become part of the other, the transcendent world. I vaguely remember learning something like this in a college course on theatre history when we studied the meaning of drama for the ancient Greeks. There is no one way to create the magic that draws the audience in. In His Dark Materials, it was the puppetry; in After Mrs Rochester, it was the physical action of the writhing mad woman; in The Habit of Art, it was the mutiple layers of reality.

Time to look ahead and list those resolutions which are pointless to make because no one ever keeps them according to scientists! Suggestions to help include keeping them positive, keeping them simple, telling all your friends about them, and keeping a diary. Well what's a blog for but using as a diary, so I have one out of four already — and still two days until next year.

The Fog in London

Sun-up was at 7:56 this morning according to the BBC weather site, and we are having our first foggy morning of the season. The skyscraper tower of the Royal Free Hospital two blocks away — considered a blight by Hampsteaders — is not visible from the dining room window at the moment. These foggy days are a prelude to Christmas every year. A new weather front is dropping the temperature every day, and for the next few mornings we can expect freezing fog to linger. The sidewalks — I can never remember they are called pavements here — will be wet and slick; the damp air will penetrate the woolen defenses of scarves, hats, and gloves, making the temperature seem much colder than it really is.

As the atmospheric fog drops, the fog of my eternal head cold seems to be lifting. The week after my return from the States, I never left the house except to buy some  head cold medication. I just slept and worked on breathing. Fortunately, there were no dates to remember on my calendar. This week has been a gradual entrance back into the swing of living in London.

I hosted a quilt group pot-luck lunch on Monday and attended one on Thursday. The Monday group always holds the pot-luck lunch here because we have more Christmas decorations than anyone else.  Most of the group members are ex-pats living in rented and often furnished flats who will only be here for the months or years of their husband's overseas assignment, so naturally they haven't brought the family decorations from home. I usually welcome the party to unpack our beloved Christmas decorations, but I am afraid last weekend I made a rather half-hearted effort, so I have to finish the job this weekend. Alas, we have another year in which the storage box of Christmas themed fabrics has not been touched. The old "Christmas in July" craft magazine promotions need to be revived. Speaking of magazines, Borders bookstores in the UK are closing down, so my easy access to US magazines is now closed off. Borders US expanded to the UK shortly after we moved to London, but was sold off a few years ago to a UK private equity group and then to a management buyout, but Waterstones has the high streets sewn up having bought up all the other high street chains. Borders opened up some huge US-size bookstores around the country. Those empty spaces are going to make big holes in shopping districts.

I loved seeing Megan's Sanctimommy photos of decorating Hingham. Some are ones she grew up with and requested when she and Barnz chose to have Christmas on their own. It has been nine years since we spent Christmas with Megan. I would never ever want young children to spend Christmas away from home. I still have memories of a Saturday night in a tiny hotel room in Washington, D.C. with two little girls deeply worried the Easter Bunny would not be able to find them for basket delivery room service. (He did.) As of yesterday however, I have formed a new holiday plan. In a few years, I want Megan and the children to come for a visit the week after Christmas so, as dual citizens, they can experience an important cultural component of their English nationality: the theatre. The English live and breathe theatre, unlike Americans who have very little access to theatre productions unless they live in New York with money to spare. Outside of New York, there is the one professional repertory theatre in big cities, the non-professional drama club in small cities, and the ubiquitous high school musical. I wonder if high schools even put on plays any more. My high school had the annual musical plus a Junior Class Play and a Senior Class Play where we were introduced to classics like Blithe Spirit and The Man Who Came to Dinner. Hingham High School had a vaunted drama program, but after the annual autumn musical, all I remember being invited to see was the 15 minute entry into the all-important Massachusetts High School Drama Competition, which recognises technics and techniques, but offers no appreciation of drama as art.

Yesterday, when an English friend with a three year-old granddaughter listed the number of performances they had already attended with her and how many more were coming up, I realised the national love of drama begins with the pantomime season at Christmas. Time Out magazine lists 27 productions under the Children's Theatre heading in this week's issue. They include The Cat in the Hat at the National Theatre directed by Katie Mitchell (a very hot young director), The Enchanted Pig, an opera by Jonathan Dove at the Royal Opera House, and The Forest at the Young Vic. Then there are the annual productions based on beloved story books, Raymond Brigg's The Snowman told in dance (suitable for age 2+ to start them really young), Julia Donaldson's The Gruffalo, and a new production of her book Stick Man. The year-round children's theatres, the Polka, the Angel, the Unicorn, have seasonal productions too. So of course I want my grandchildren to come here to spend a week attending the theatre every day. When they outgrow the children's productions they will graduate to the adult panto productions. Fairy tales told with an edge of sexual innuendo and cross-dressing with B-list celebrities, popular stars of past decades, soap opera stars, and reality TV competition winners and losers in the special roles. We went to a few high-class pantos — Angela Carter's posthumous Cinderella — years ago, but looking through the listings, perhaps we need to book a real panto this year.

Every year in the weeks before Christmas we book so many Christmas concerts, there is no room for anything else. Looking at my calendar I see six concerts coming up over the next two weeks. Speaking of music, I am surrounded by stacks of CDs — our collection of Christmas music (minus the extensive, but outdated collections of LPs and tapes) that Bob has been using to write his review of favourite Christmas music available on Bazzfazz (11 parts) and on Scholars and Rogues, which has 14 parts. A Big Day in Hingham was the day the Atlantic Wire website picked up Part 4 from Scholars and Rogues. I can't find the actual link because my computer is not picking up links very quickly right now, but the Atlantic Wire bills itself as "tracking the most influential opinion makers," and on the night in question, everyone else on The Ticker was indeed someone notable from their 50 most important pundits list. I feel the title of Bob's post, which included the words "Medieval Babes" had something to do with its selection by an A-list political site with cultural pretensions. Megan and Barnz, who can do these things, captured a "screen shot" so we have a record of this event on Bob's laptop.

In addition to the two pot-luck lunches, I went to two book groups this week. My regular "Sevens" group read Housekeeping by Marilynne Robinson, a book I did not like in the 1980s when I first read it, and which I found I still don't like when I reread it earlier this week, although I keep reading that I should like it as it is some sort of classic. The group was split on opinion, but those who liked it kept citing the magnificent prose, which is usually the reason given to call it a classic. One thing I don't like is the writing style which I found made up of oddly patched and overblown phrasing. Our moderator found an interview in which Robinson said she began writing and saving metaphors when she was doing a graduate degree on Shakespeare, and later she realised she had the voice of Ruth in her random collection. In other words, she did patch together the prose.

The second book group was an extra meeting of the "Literary Ladies" to meet  Ruth Waterman, the author of When Swan Lake Comes to Sarajevo. Ruth is an English violinist who studied at Julliard and lived in New York for years before returning to England. In 2002 she was invited to guest conduct the Mostar Sinfonietta in Bosnia. She returned to Bosnia to lead concerts in 2004, 2005, and 2006, when funding for the orchestra ran out. As a BBC contract presenter, the BBC gave her recording tape and suggested a radio show if she found any interesting material. She collected personal experiences of the devastating war years from her young orchestra members that were used for a Radio 4 programme, and ultimately for this book. I bought the book from her, so haven't read it yet, but she played excerpts from the voices of the musicians and discussed the sadly deteriorating situation in Bosnia at the moment. The meeting was heightened by a visiting friend of a member who told of her escape to Rio de Janiero from Bosnia with her 9 year-old daughter after, as she said, "my mother's body was found in the river and my grandmother was killed." She is also a violinist, explaining she was in Bosnia when the war began because she had returned from living in Paris when asked to represent Bosnia in an international competition, and told us of her desperation when her only chance to stay in Rio was by securing a seat in the city's symphony orchestra. The room certainly went silent as she told her story, giving us an inkling of what Ruth went through when survivors poured out their experiences.

Finally, we went to a gallery opening of a print exhibition organised by the husband of a quilting friend. David is an artist and designer, and his design has been chosen by the Royal Mail for the Olympic Sports series of stamps issued earlier this year. David's stamp is for Badminton. To celebrate he invited other stamp designers to exhibit their work as prints made by Epson photocopiers. What a great show. The link to the ROA Gallery lets you see the wonderful work on display. We chose at least a dozen. Next week we will have to hone our choice down to Christmas gift level.

At last I feel like I am back into the routine of life.  Tomorrow we get our tree, and I begin to organise what needs doing between now and the New Year. We haven't even caught up on the Advent Calendars. Christmas is only two weeks away!!